The soaring dignity of Milthon’s sculpture draws the eye heavenward and elevates the spirit to a plane that is at once delicate and seductive, feminine and elegant—a world in which the grace of the Paris Opera coexists with the rugged majesty of the Columbian Andes.

As a child, he knew that he was destined to be a sculptor, passionately and intuitively creating shape and form from the earth. In January 1985, he arrived in France, attracted by its innovation and creativity and the integral role of art in the continent’s capitals, and the influence of its capitals in the world market.
Milthon wanted to continue his long apprenticeship to master the entire panoply of techniques and diverse materials, from ceramics to metals and the complex world of composites, of the art of molding and of patinas.
From afar, his tall silhouettes stretching toward the sky suggest the rich landscape of people, a sweet melange of power and delicacy, merging with energy and the visceral earthiness that soar dramatically, unimpeded, radiating a sensual pride.
With a feverish intensity, Milthon explores the essence of the heights and the solid natural foundation from which spring the gleaming energy that pierces the sky.

The hallmark of his work is an intensity. It is always with the artist, in his hand and in the pre-Colombian art that ultimately inspires it. It is an element infused in his sculpture for eternity. The work of creating an interplay of shadow and light produces a texture that breathes into each sculpture, a particular essence that permeates the work.
From the miniature to the monumental, Milthon masterfully captures a little of himself in each of his works so that each of us can penetrate his delightful universe.